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I Advice - New America (USA) Artist Carter's Exhibitions At The Saatchi Gallery
How To Start Working OnlineWhen people first consider the idea of earning some money through working online they often wonder just where to start and how to go about it. There are many ways to gain an income from your computer from a few cents a day to several hundred dollars; it’s up to each person to decide just how much work they are prepared to put in and whether they just want a little extra pocket money each month or would like to make a ful s are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop. GROUP EXHIBITIONS 2005
Hotel Gallery, Liste '05 Art Fair, Basel, Germany How Mapping Your Route Beforehand Can Save You Big On Fuel Costs It seems like just yesterday when the price of gas was fairly insignificant. The cost to fill up a traditional family car was nowhere near the fifty dollars or more most of today's drivers are accustomed to paying each time they fuel up. But short of selling your gas guzzler for a hybrid vehicle where the cost of gas is essentially a non issue, what can drivers do to conserve both their fuel and their funds? The answer i Carter’s work reflects a fascination and unease with the human body as a metaphor for an anxiety of persona, the body being an outward projection and defining image of self. Untitled is set quite literally on a blank canvas. Here Carter presents a profile in the making: his half-finished portraits are accompanied by sketchy forms at the bottom of the drawing, inviting viewer participation in completing the image. Through piecemeal assemblage, Carter attributes his figures with personality traits as well as physical features: through the subtle quality of line, tone, and placement his characters resolve as fluctuating and contradictory personalities.Though Carter’s drawings are directed by an intuitive aesthetic, they evolve from an incredibly time consuming and considered process. Carter begins each work by making his own marbleised paper. Referencing the emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop. GROUP EXHIBITIONS 2005
Hotel Gallery, Liste '05 Art Fair, Basel, Germany
Thinking About Thinking - Part 2Thinking UnconsciouslyDaydreaming your way to performance and profits.Like many of my clients, I am always looking for ways to speed things up - to produce more results with the same or even fewer resources. We probably agree on this. The key is certainly not about working harder; it may not even be about working smarter. But there are definitely ideas which work, and those ideas n rtraits are accompanied by sketchy forms at the bottom of the drawing, inviting viewer participation in completing the image. Through piecemeal assemblage, Carter attributes his figures with personality traits as well as physical features: through the subtle quality of line, tone, and placement his characters resolve as fluctuating and contradictory personalities.Though Carter’s drawings are directed by an intuitive aesthetic, they evolve from an incredibly time consuming and considered process. Carter begins each work by making his own marbleised paper. Referencing the emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop. GROUP EXHIBITIONS 2005
Hotel Gallery, Liste '05 Art Fair, Basel, Germany Murcia Holidays-Holiday Attractions of Murcia and Cartagena Murcia is one of the smallest regions in Spain and is located in the southeast of the country on the Mediterranean coast between Andalucia, Castilla La Mancha and Valencia. There is only one province in Murcia unlike most other regions of Spain, which means the whole region is operated by the one local government. The capital of Murcia region is the inland city of Murcia itself, and the other important city in the regionent his characters resolve as fluctuating and contradictory personalities. Though Carter’s drawings are directed by an intuitive aesthetic, they evolve from an incredibly time consuming and considered process. Carter begins each work by making his own marbleised paper. Referencing the emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop. GROUP EXHIBITIONS 2005
Hotel Gallery, Liste '05 Art Fair, Basel, Germany Water Beds Many people prefer waterbeds because they have a nearly perfect, very comfortable sleeping surface. The most important factor to consider when buying a waterbed is durability and strength. Modern technology has been applied to today’s waterbeds. If you are in the market to buy one, you should get the best quality possible. It might cost more, but when you choose a high quality waterbed, you’re not only getting the best i emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop. GROUP EXHIBITIONS 2005
Hotel Gallery, Liste '05 Art Fair, Basel, Germany Enhance Your Yoga Experience With The Latest Gear One of the great advantages of persuing yoga is that it doesn't require much in the way of gear. In fact, most folks can get by with nothing more than a comfortable pair of sweats and a litte open floor space. But if you're ready to get more serious about your yoga, there are some items that you might want to add to your routines. Here are just a few for your consideration:MatsSticky yoga mats can provide as are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop. GROUP EXHIBITIONS 2005
Hotel Gallery, Liste '05 Art Fair, Basel, Germany
Bebe le Strange, D'Amelio Terras, New York
Sticks and Stones, Perry Rubenstein, New York
Self Formation, Art2102, Los Angeles
White Columns, The Armory Show, New York
Trade, White Columns, New York 2004
Bulletin Board, Wattis Institute for Contemporary Art, San Francisco
Rebus, Gallery Paule Anglim, San Francisco 2002
Art Point, Midway Contemporary Art, Miami
The Stray Show, Midway Contemporary Art, Chicago
Multiplicity, Midway Contemporary Art, St.Paul
Being There, Derek Eller Gallery, New York 2001
Artist of the Month, April 2001, Artists Space Gallery, New York 2000
Faculty 2000, Maryland Institute, College of Art, Baltimore
The Future of the Body, Richmond Art Center, Oakland 1998
All of Me, New Langton Arts, San Francisco
SAP: The Residue of the San Francisco Art Scene, Lanai Motel/Four Walls Gallery, SF, CA
Covert Pleasures, New Langton Arts, San Francisco
Spoon Full of Sugar, Southern Exposure, San Francisco 1997
Introductions, Gallery Paule Anglim, San Francisco
New Work, Four Walls Gallery, San F
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