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  • I Advice - New America (USA) Artist Carter's Exhibitions At The Saatchi Gallery

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    s are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop.

    GROUP EXHIBITIONS

    2005
    Hotel Gallery, Liste '05 Art Fair, Basel, Germany How Mapping Your Route Beforehand Can Save You Big On Fuel Costs
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    Carter’s work reflects a fascination and unease with the human body as a metaphor for an anxiety of persona, the body being an outward projection and defining image of self. Untitled is set quite literally on a blank canvas. Here Carter presents a profile in the making: his half-finished portraits are accompanied by sketchy forms at the bottom of the drawing, inviting viewer participation in completing the image. Through piecemeal assemblage, Carter attributes his figures with personality traits as well as physical features: through the subtle quality of line, tone, and placement his characters resolve as fluctuating and contradictory personalities.

    Though Carter’s drawings are directed by an intuitive aesthetic, they evolve from an incredibly time consuming and considered process. Carter begins each work by making his own marbleised paper. Referencing the emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop.

    GROUP EXHIBITIONS

    2005
    Hotel Gallery, Liste '05 Art Fair, Basel, Germany

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    rtraits are accompanied by sketchy forms at the bottom of the drawing, inviting viewer participation in completing the image. Through piecemeal assemblage, Carter attributes his figures with personality traits as well as physical features: through the subtle quality of line, tone, and placement his characters resolve as fluctuating and contradictory personalities.

    Though Carter’s drawings are directed by an intuitive aesthetic, they evolve from an incredibly time consuming and considered process. Carter begins each work by making his own marbleised paper. Referencing the emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop.

    GROUP EXHIBITIONS

    2005
    Hotel Gallery, Liste '05 Art Fair, Basel, Germany Murcia Holidays-Holiday Attractions of Murcia and Cartagena
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    Though Carter’s drawings are directed by an intuitive aesthetic, they evolve from an incredibly time consuming and considered process. Carter begins each work by making his own marbleised paper. Referencing the emotive brushwork of Abstract Expressionist painting, Carter’s swirling patters are created through a ‘hands off’ procedure of dipping individual sheets into a water and oil solution – a process similar to developing photographs. Using these designs as a template over which multiple drawings are arranged and pasted, Carter merges repetitive forms with his ‘instantaneous’ colour-fields, creating a conceptual symbiosis between the intimacy of abstraction and the mechanisation of pop.

    GROUP EXHIBITIONS

    2005
    Hotel Gallery, Liste '05 Art Fair, Basel, Germany Water Beds
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    GROUP EXHIBITIONS

    2005
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    GROUP EXHIBITIONS

    2005
    Hotel Gallery, Liste '05 Art Fair, Basel, Germany
    Bebe le Strange, D'Amelio Terras, New York
    Sticks and Stones, Perry Rubenstein, New York
    Self Formation, Art2102, Los Angeles
    White Columns, The Armory Show, New York
    Trade, White Columns, New York

    2004
    Bulletin Board, Wattis Institute for Contemporary Art, San Francisco
    Rebus, Gallery Paule Anglim, San Francisco

    2002
    Art Point, Midway Contemporary Art, Miami
    The Stray Show, Midway Contemporary Art, Chicago
    Multiplicity, Midway Contemporary Art, St.Paul
    Being There, Derek Eller Gallery, New York

    2001
    Artist of the Month, April 2001, Artists Space Gallery, New York

    2000
    Faculty 2000, Maryland Institute, College of Art, Baltimore
    The Future of the Body, Richmond Art Center, Oakland

    1998
    All of Me, New Langton Arts, San Francisco
    SAP: The Residue of the San Francisco Art Scene, Lanai Motel/Four Walls Gallery, SF, CA
    Covert Pleasures, New Langton Arts, San Francisco
    Spoon Full of Sugar, Southern Exposure, San Francisco

    1997
    Introductions, Gallery Paule Anglim, San Francisco
    New Work, Four Walls Gallery, San F

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